
It looks pretty dull, but the light is so poor today (more rain), that even though I put all the lights on in my bedroom it hasn't helped much. It's actually quite fresh and pretty and fairly pastel.
One thing I discovered about this pattern is a way to save fabric. The instructions tell you to cut out all the pieces for all the rose petals before you start. I rarely do that, as I'm always itching to get on with the sewing and hate cutting. This time I was glad, because since the petals are of decreasing size
I realised that I only needed to cut the first two large petals, and could cut the smaller ones from the cut-away fabric! We'll beat this recession yet!
So I assembled some pink fabrics, trying to keep them medium and light, and leaving most of my brights in the drawer.


then moved to meander with stars, (this one's a bit wonky, but so what!)
I added a bit of writing just for fun (this is the 'Boys' from 'The Jersey Boys' which is the West End show he's currently working on),
and finished with double loops.
The label's on, and it's ready for his birthday next month. Hooray! Now for the next one.....
Here you can see the back, and the way the it closes. I have some cord which I will use to fasten the back together, but for the 'ripping scene' Elaine suggested just tacking the back together like this
She has a shawl on over her bodice, and we can add the cord as well, but then Keith can just break the cotton and expose her (scarred) back! We tried it on Monday, and it made quite satisfactory ripping sounds! Hooray! Only one more bodice to go!
I started work in a primary school in London in the early 1970s and one of the other teachers was making a quilt of hexagons. I had always sewn, and thought this was a perfect way to use up my dressmaking scraps. I decided to unify it by making all the rosettes purple, and when my scraps ran out, I begged scraps from other sewers and even bought (long) quarters of fabric from shops and markets and used the Laura Ashley offcuts which many people bought at the time. When I was planning my wedding in 1975 I decided to make the quilt up using all the completed rosettes. I solved the problem of the irregular edge by appliqueing the hexagons onto plain purple borders. I wadded and tied the quilt to complete it. The quilt has seen stalwart service on picnics, sofas and as a rug for babies to sit on in the garden, which explains why it is so faded. To say that the fabrics are a mix of fibres and weights, it has survived remarkably well.