
The ship was the Thomson 'Celebration', which was comfortable and spotlessly clean, the service was exemplary, the food good and the entertainment varied. (I have to admit, that the average age of the passengers was probably about 70, but then, I'm not ageist and they were a fun-loving and friendly crowd!)
Here are DH and I by the entrance to this stunning monument to Islamic art.
The atmosphere in the place was wonderful, serene and peaceful, and not as oppressive as it looks in this photo of the ground floor.
We just had time for a visit to the Grand Bazaar, a rabbit warren of shops and stalls selling practical items and tourist goods. We bought a gorgeous emerald green shawl for DD which she loves (thank goodness!). Dikili, the port for excursions to Pergamon, was an authentic Turkish port: interesting to look round, but not photo worthy.
This was not true of Athens, where the Acropolis was the main attraction. It was very hot, late 20s Centigrade, and I very much needed my hat, even though hats never suit me.
Here are six ladies, five of whom are replicas. Can you spot the real one? Patmos was idyllic, and we really wished we could have stayed there permanently. It was calm and relaxing and very photogenic, and of course, I had forgotten my camera! Never mind, maybe you've been there yourself and seen it.
Bodrum was another lovely resort, with a lively port and pleasure harbour. There we looked at more old stones, although these had been part of one of the Seven Wonders of the Ancient World, the Mausoleum at Halicarnassus. It was a huge tomb built by the wife of Mausolus in 353BC, a bit like a pyramid in scale, although it had crumbled away by the 1400s, and the Knights of Saint John used the remaining stones as building material to repair their castle. Can you find me amongst the rubble?
Here is a closer picture of DH. That day was even hotter, at 32C. Too hot for me!
And here is a shot of DH and I on board the ship after the formal dinner. We scrub up pretty well, don't we!
I am so pleased with this quilt. Not only was it great fun to make, but the whole top and binding was made from my stash. I didn't buy a single piece of fabric specially for it. Of course, it hasn't seemed to make any dent in my boxes and boxes of stuff, but it's a great feeling looking at all those different fabrics which play together so nicely. 
And now for my poor start. I've started making some 'Dear Jane' blocks and here are my first two. I'm using cream and blue for my colour scheme - lots of different fabrics in each. I'm working from the centre out, and then, if I run out of steam (or skill, in this case) I can use what I've made as the centre of a medallion quilt. (Nothing like planning for failure!) The first block, on the right was G7, Indianapolis. It's turned out to be a fraction too small! The other one, G8, Justin's Comet, has turned out a fraction too big! Only two blocks in, and I'm already going to have to fudge. What a surprise!
At least the Barbara Brackman blocks aren't too dificult. Here are the next four, taking me up to week 20. The top two were a bit tricky, but the bottom ones were very straightforward. 

An unusual quilt with three dimensional flowers. This was designed and made by Kate Elgood, and it repaid a closer look.
Not only was the workmanship excellent, but look at this gardening fabric she has used as a background! You would never have thought that it would work, but it just enhances the whole theme of the quilt!
Here is a beautifully hand-quilted strippy. It's a copy of an old, damaged one found at a house clearance. This is so sophisticated in colour - an absolute gem! (Sorry I didn't get a clear view of this quilt. The show was very busy, and it ws impossible to find a quilt without admirers! )
This one is made me cross. I recognised this quilt straightaway as Bonnie Hunter's design 'Christmas Stars'. In the show guide there is no mention of Bonnie at all, just a self important statement about how the maker has designed her own continuous-line quilting design, "and this is something I like to do on every quilt I make." Now, Bonnie is very generous with her patterns, putting them on her website free of charge and giving blanket permission for the maker to display designs to be used in shows or even taught in classes. But that is no reason to just take the design and not even credit her! Just rude behaviour. 
This group quilt came from a challenge to use only black and white, and make a small hanging the size of a ruler. I'm sure a member of this group would be able to easily identify the makers of each part!
I loved this whimsical seaside quilt (Paula didn't, thus proving that we are all different!) The centre was delightful, but the border of beach huts was fabulous.
Here is a close up of the border, and you can see the fun the maker has had with the details, both the applique and the quilting.
This one was a log cabin in a log cabin. Very striking.

A prize winning quilt, made from pieces of blue Ikat fabric. It looks good from a distance and equally good close up.
Here the log cabin blocks have been cut into quarters, shuffled, and sewn into new blocks. The sashing gives structure to the higgledy piggledy blocks. Facsinating.
A crazy log cabin quilt, with bags of attitude. the colour scheme makes it look very traditional at first glance, but the craziness of the blocks adds loads of interest and movement.
And finally, a quilter's notice board, with snippets of this and that, and lots of advice! Every quilter should have one!
And as to the shopping, I managed to buy a certain number of things! Notably this copy of 'Dear Jane', which I'm hoping will be the pattern for a new quilt. Look out for news of this soon!

My IKEA storage unit has been moved from inside DS's wardrobe to underneath my sewing table. This has reds, pinks, yellows and batiks (with a handy carrier bag storage facility at the side!). It was quite easy to move the unit, but some of my other fabrics had got rather out of hand.



She was keeping mainly to blues and making blocks which finished at 10" so they will knit up fast. The randomness of these blocks reminds me of Gees Bend quilts - lots of life and movement in them.
Linda (who is just peeping over her sewing machine) was finishing and sashing the blue Lemoyne Stars you can see on her design wall. These had been made in a class she taught recently.
Paula had taken a fancy to some donated blocks which had been made all in the same cream and red fabrics. Apparently the maker was 'fed up with them'. It's no wonder, as there were 112 of them! I would have given up long before I hadmade that number! Paula arranged them in a clever pinwheel design, and reckons there will be enough blocks for three Linus quilts! I was making the windmill blocks which you can now see on the design wall. They will be a fun addition to a child's bedroom.
I had taken some orphans and fabric strips with me, and we had a good rootle through it all. We made up some kits and Linda kept six tops which she is going to make up on her Gammil. What a lovely lady! It was a super day, with new friends (not to mention the biscuits and sweets) and a run out in the country, apart from all the sewing we did. Many thanks to Linda and everyone, and let's hope we can do it again soon.
Since my pieces were smaller than the original (and I had to draft them myself) you'll notice that there isn't a lot of meeting in the middle going on here!