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I didn't quilt it too much, as I used that puffy polyester wadding (it had been donated) and it doesn't take too well to elaborate quilting. And on that note, I would like to wish eveyone a happy New Year and a happy, healthy and productive 2010.
How I demonstrate that far from being a master of patience, I have a short attention span and am attracted to try out lots of fabric related techniques and ideas
Here is one of the challenge blocks I received. It is fabulous! There is Mariner's Compass underneath, and then Celtic knotwork on top! There is no way I would ever be able to make anything as good as this. But the question was, what could I make to go with it? Lots of head-scratching later and a bit of research (that's what you call flipping through magazines, isn't it?) I decided to do curved flying geese.
And here they are! It would have been better if I'd made one set go to the left and the other to the right, but I'm sure the recipient will manage to make the best of them. They are winging their way over the Atlantic next week, so at least they're ready!
I used some donated 2 ounce wadding (not my preferrred wadding of choice) which was a bit puffy, so didn't want to quilt it too much.
I didn't know what to do with it. Part of me thought it should be given to a museum or collector, but another part of me felt for the original maker, and wanted to complete this quilt and not have it consigned to a box, to be seen by very few people. I took it to a Quilter's Guild Area Day, where a member knowledgeable about old quilts said it was 'not of museum quality'. So, I wrapped it carefully in acid free tissue and put it on top of the wardrobe.
Last week I reached a decision. I have decided to complete the top using reproduction and sympathetic fabrics, remove the papers, scan the most interesting ones and print them onto fabric to be used as the backing of the quilt. This way, the quilt is completed, but the history is not lost.
This is the progress I have made on the top, so far. Looking good!
What a mistake. First I had to go down to the copy shop and get four copies of the pattern (quicker and more accurate than tracing my own, I decided). Next I had to paper piece 8, yes eight, sections, which were all the same. This took me a while, as there was a certain amount of reverse sewing involved here! Then, when I'd joined all the sections together, I had to pick the blooming paper off the back! I hope Eileen's not one of those 'I use tweezers to get all the little bits of paper off' types, as I'm a 'the little bits of paper will add extra warmth to the finished quilt' type! Anyone want to buy a practically new copy of Carol Doak's '50 Fabulous Paper-Pieced Stars'?!
My Family Tree quilt, made for my Mum's 80th birthday - ironically displayed next to a quilt made by another member for her mum's 80th birthday! She had printed out photos of places with sentimental interest to her mum, which made for a delightful touch.
My French Roses are on the left. This quilt attracted quite a bit of interest, perhaps it was its old world charm which caught people's attention. At the very front is a Dresden Plate I made ages ago. The old designs are always good.
The sew-a-row isn't mine (unfortunately!) but 'I love my Willy' (a homage to Shakespeare) is. The quit with balloons is our group quilt, and it looks splendid. If you want to see more of the pictures, click here to see pictures I took and here to see Jane's much superior pix!
Here we are squaring up to each other. We already have a bit of interest from the man on the left taking a photo! You can only just se me in this one - I'm taking on Hazel! This tactic certainly worked as a crowd-puller, and while I never thought I'd be seen fighting on the Royal Mile, I can recommend it as aerobic exercise! It really gets the heart pounding!
Here I am in costume posing with DH, the director of the show. It took a lot of hairspray to get my hair to stick out like that, I can tell you. Before we went on stage we had to use lots of black eyeshadow to make our faces, arms and feet look dirty. Lovely!